Capitalizing on subtle cues within the space Andrew has created a minimal yet stark geometric mural. This young San Diego artist is quickly becoming an impressive addition to the local scene. We’d love to see you at the opening.
Saturday afternoon October 28th
I’ve been an admirer of May-ling’s work since 2009 when I saw a show she did at Seminal Projects. However, we never met until last April when I visited her studio and asked her to do a show at Ice. In terms of process and aesthetic, we are seemingly at odds, but I feel that we share some core values when it comes to our view of art in general. May-ling has been using the gallery as a working studio in preparation for this show and everything is coming together nicely thus far. I’m still not quite sure what the outcome is going to be as she is working rather organically in response to the space but it’s shaping up to be pretty interesting. Please join us Saturday March 25th from 6-9 to see what she’s been up to.
Some words from May-ling about the show:
“Layers of information collide and overlap in the space in a stream of consciousness. The work is based in an innate need to understand and decipher the unknown. Using iconography found in “How to books” as well as diverse visual systems found in books meant as learning devises perceived with a logical approach. I’m interested to explore how this logical approach satisfies a need to feel in control of our surroundings.
I also collect images from science, medicine and engineering books designed to facilitate our understanding of our environment by explaining the numinous in a coherent way. The images are then reinterpreted and presented in a different context producing an expanded narrative of the original one. Exhorting subjective interpretation based on personal experience.
Stacks of carefully collected found objects are arranged and recombined in unexpected ways to expose the uniqueness of the implements. Raising questions of their function and the human need to control our surroundings through tools and devices. In the same line others raise as beacons, a sort of personal markings.”
Sadly it’s time to say goodbye to this 1/4 scale R17 subway car
It really is impressive to see this thing in person. You can come pay your respects and say hello to Super Kool Sake himself this Saturday:
1 – 4pm
We hope you can make it.
In the 1970’s and 80’s, with the New York City subways as the primary “canvas”, graffiti was forged into one of the last great art movements of the 20th century. Nowadays graffiti is everywhere except the iconic subway cars that propelled it from NYC to the entire world. That is the underlying premise of the new installation titled “Rust Magic” by San Diego graffiti veteran Sake. In addition to the interior of Ice being bombed with graffiti from top to bottom the exhibition also includes a display of vintage spray cans, an outdoor mural, and a 1/4 scale replica of an R17 subway car.
I hope you’ll come and take a look.
Saturday, September 10th, 2- 6pm.
As always, if you can’t make the opening you can always schedule an appointment for a time that’s more convenient.
Please join us on Saturday, February 20th from 4-6pm for the closing reception of Nathan Gulick’s solo exhibition, “Finest City”.
“Finest City” presents a series of arrangements (possibly a sculpture garden, or ruin field) of readymade architectural decorations in amplified colors, set amongst a faux grass lawn (a necessity in a time of catastrophic drought) and a sheer wall of tan stucco.
Reveling in a distinctly artificial American style, still rooted somewhere in old Europe, the work seeks to highlight the temporary and temporally unsure aesthetic landscape of a region still contending with a legacy of mass migration and suburban sprawl.
“Finest City” presents a series of arrangements (possibly a sculpture garden, or ruin field) of readymade architectural decorations in amplified colors, set amongst a faux grass lawn (a necessity in a time of catastrophic drought) and a sheer wall of tan stucco. Reveling in a distinctly artificial American style, still rooted somewhere in old Europe, the work seeks to highlight the temporary and temporally unsure aesthetic landscape of a region still contending with a legacy of mass migration and suburban sprawl.
Artist Reception: Saturday, January 30, 4-6pm
Closing Reception: Saturday, Feburary 20, 4-6pm
Or by appointment
A very grateful and sincere thank you to everyone that helped me make this piece a reality, to Philipp for helping me document it, and to all of those who made a special trip to come and see it.
Click HERE to see photos by Philipp Scholz Rittermann.
Below are some lesser quality iphone photos that I took along the way.
The last day to see “Three Thousand Four Hundred Fifty Threads” will be Sunday, November 22nd. If you wish to make an appointment, click on the Contact button above and send me a message. I’m available to show it any day between 10:30 – 4:00. Again, ICE Gallery does not have operating hours. If you’d like to see this piece you’ll have to make an appointment.
The above photos are by Philipp Scholz Rittermann. I’ll post the whole set once the show closes. It is the case with most art, but especially with this piece, that a photo is a very poor substitute for seeing it in person. So don’t settle for regret. Come see this thing! I hope to hear from you soon.
Ok, we’re ready to roll! This installation took about 4 times longer to complete than I thought it would but it’s finally finished.
For multiple reasons, there will be no opening reception. Perhaps there will be a closing, I haven’t decided. Instead I’d like to invite you to contact me through this website (or any other way you’re connected to me) to set up an appointment. The piece will be lit at night and viewable through the windows. However, I’ll only be showing it from the inside during daylight hours as this is when it looks it’s best. If you’d like to come and see it I’m available to show it almost any day. Just give me 24 hours notice and we can set up a convenient time for you
Thank you to all of those that helped me complete this piece. It would’ve taken me weeks to do it on my own.
Thanks to Mark, Storm, Kyle, Philipp, Trista, Terry, Jason and the Toms.
Extra special thank you to these two guys:
Andrew and Sol, you guys worked your butts off. Thank you so much!