Bread & Salt

Photos from Finest City are up

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One of the things that makes running ICE Gallery fun is offering a space to an artist and telling them they can do anything they want with it. The only restrictions being the confines of the space and their own budget. The result, if you’ve chosen your artists wisely, is that you get such a diverse array of exhibitions. A line up that doesn’t remotely fit into any sort of tangible uniform aesthetic. The contrast between this show, the previous one, and the next one is so stark that in a normal gallery situation it would seem that the curators interests are all over the map. Well, good. I love that. Click HERE for more photos from Nathan Gulick’s exhibition “Finest City”.

 

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Closing Reception – Nathan Gulick

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Please join us on Saturday, February 20th from 4-6pm for the closing reception of Nathan Gulick’s solo exhibition, “Finest City”.

“Finest City” presents a series of arrangements (possibly a sculpture garden, or ruin field) of readymade architectural decorations in amplified colors, set amongst a faux grass lawn (a necessity in a time of catastrophic drought) and a sheer wall of tan stucco.
Reveling in a distinctly artificial American style, still rooted somewhere in old Europe, the work seeks to highlight the temporary and temporally unsure aesthetic landscape of a region still contending with a legacy of mass migration and suburban sprawl.

Artist Reception – Nathan Gulick

Nathan Gulick Flyer

 

“Finest City” presents a series of arrangements (possibly a sculpture garden, or ruin field) of readymade architectural decorations in amplified colors, set amongst a faux grass lawn (a necessity in a time of catastrophic drought) and a sheer wall of tan stucco. Reveling in a distinctly artificial American style, still rooted somewhere in old Europe, the work seeks to highlight the temporary and temporally unsure aesthetic landscape of a region still contending with a legacy of mass migration and suburban sprawl.

Artist Reception: Saturday, January 30, 4-6pm
Closing Reception: Saturday, Feburary 20, 4-6pm

Or by appointment

 

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Last chance to see 3450 Threads

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The last day to see “Three Thousand Four Hundred Fifty Threads” will be Sunday, November 22nd. If you wish to make an appointment, click on the Contact button above and send me a message. I’m available to show it any day between 10:30 – 4:00. Again, ICE Gallery does not have operating hours. If you’d like to see this piece you’ll have to make an appointment.

The above photos are by Philipp Scholz Rittermann. I’ll post the whole set once the show closes. It is the case with most art, but especially with this piece, that a photo is a very poor substitute for seeing it in person. So don’t settle for regret. Come see this thing! I hope to hear from you soon.

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Ok, we’re ready to roll! This installation took about 4 times longer to complete than I thought it would but it’s finally finished.

For multiple reasons, there will be no opening reception. Perhaps there will be a closing, I haven’t decided. Instead I’d like to invite you to contact me through this website (or any other way you’re connected to me) to set up an appointment. The piece will be lit at night and viewable through the windows. However, I’ll only be showing it from the inside during daylight hours as this is when it looks it’s best. If you’d like to come and see it I’m available to show it almost any day. Just give me 24 hours notice and we can set up a convenient time for you

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Thank you to all of those that helped me complete this piece. It would’ve taken me weeks to do it on my own.

Thanks to Mark, Storm, Kyle, Philipp, Trista, Terry, Jason and the Toms.

Extra special thank you to these two guys:

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Andrew and Sol, you guys worked your butts off. Thank you so much!

A closing reception and some press for Tom Driscoll

Tom Driscoll Artbound

It’s not often that San Diego artists get written about for publications or blogs that reach outside of the county. Other than CityBeat, who seems to be the most consistent, local coverage for art in San Diego is rather pitiful. That’s why I was pleased that Robert Pincus decided to make Tom Driscoll the subject of his maiden piece for Artbound.  It’s fantastic that Artbound/KCET is making an effort to cover all of southern California, not just LA. We’re small, but there are some interesting things happening down here in SD.

Speaking of interesting art…

Tom Driscoll at ICE Gallery

 

Closing reception is this Saturday, May 2nd, from 6-9pm. See you there.

Tom Driscoll – Opening Reception

Driscoll Studio Cones

Ever since I saw the way Tom had his concrete cones displayed in his garage I’ve been itching to see them in a proper exhibition. Cut to 3 years later and the time has come to show just about every last one that he has. Some date back 20 years, however most have never been shown. The 16 foot tall walls in the gallery will be well utilized.

Please join Tom and I on Saturday, March 21st, 6-9pm.

Tom Driscoll Announcement web

 

 

Closing Reception: Philipp Scholz Rittermann

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This Friday, February 27th, from 6-9pm is your last chance to see the site conditional photo installation by Philipp Scholz Rittermann. Seeing this piece in person is truly a unique experience. It would be a shame if you didn’t get to see it before it’s gone forever.

Opening Reception – Objective: Subjectivity

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Objective: Subjectivity
An art exhibition featuring objects, both natural and manufactured, unaltered by the artist. Three pieces per artist displayed as-is with the aim of communicating to the audience the intrinsic beauty that can be found in seemingly mundane or usually overlooked objects.

participants include:
Michael James Armstrong
James Brown
Thomas DeMello
Tom Driscoll
Joseph Huppert
Jason Lane
Lee Lavy
May-ling Martinez
Richard Allen Morris
Chantal Wnuk