It turns out that an installation involving 3500 threads evenly spaced a 16th of an inch apart is a really ambitious undertaking. In my announcement for the opening I mentioned that while I enjoy doing interesting exhibitions with others, the main reason for continuing ICE is to do my own exhibitions. As an artist who is interested in making site conditioned works, having access to a space where you can apply that method is paramount. I’m fortunate enough to have access to such a space. A sort of R&D laboratory and gallery all in one. I love that. I love that I have the freedom to experiment and to fail, to discover and to learn. In this case it was the timeline that was a failure, not the piece. The piece is going to work just fine. I planned, made mock ups, had plenty of help, it was just too soon for an opening
To be honest I wasn’t entirely confident that I would finish this installation in time for the opening date. I picked the date a couple weeks ago because it was the most convenient for my schedule this month. I planned, made mock ups, had plenty of help. It just ended up being too soon. Oh well, it’ll just have to get moved to a later date. Maybe next weekend, maybe the end of the month. I’ll let you know.
What I do know is that, just from the little bit that was accomplished, this piece is going to be very interesting. I’m extremely excited to show you the final outcome. I don’t think I’ve ever seen anything quite like it. Stay tuned.
As much as I enjoy having exhibitions of other peoples work at ICE Gallery, ultimately the main reason I keep the space is to have my own. After 13 months since reopening, that’s finally going to happen. This will be my first site conditioned installation since 2013. I hope to see you.
6pm – 9pm
1955 Julian 92113
Tom and I would like to thank everyone that came out to see the show. It was very well received and really fun to do. Thanks to Jason Lane and Andrew Alcasid for helping to install. Special thanks and appreciation to Seth Combs and Robert Pincus for the press. See exhibition photos HERE
It’s not often that San Diego artists get written about for publications or blogs that reach outside of the county. Other than CityBeat, who seems to be the most consistent, local coverage for art in San Diego is rather pitiful. That’s why I was pleased that Robert Pincus decided to make Tom Driscoll the subject of his maiden piece for Artbound. It’s fantastic that Artbound/KCET is making an effort to cover all of southern California, not just LA. We’re small, but there are some interesting things happening down here in SD.
Speaking of interesting art…
Closing reception is this Saturday, May 2nd, from 6-9pm. See you there.
There are 2 shows this weekend involving 3 people related to the ICE Gallery family.
The first is the 2014 San Diego Art Prize Recipients at the Athenaeum Music & Arts Library including Joseph Huppert and Philipp Scholz Rittermann.
The second is at the Harmony Murphy Gallery in downtown Los Angeles including Joseph Huppert and Thomas DeMello
I’ve finally added photos from these 3 exhibitions:
Philipp Scholz Rittermann and Tom Driscoll exhibition photos coming soon.
Ever since I saw the way Tom had his concrete cones displayed in his garage I’ve been itching to see them in a proper exhibition. Cut to 3 years later and the time has come to show just about every last one that he has. Some date back 20 years, however most have never been shown. The 16 foot tall walls in the gallery will be well utilized.
Please join Tom and I on Saturday, March 21st, 6-9pm.
This Friday, February 27th, from 6-9pm is your last chance to see the site conditional photo installation by Philipp Scholz Rittermann. Seeing this piece in person is truly a unique experience. It would be a shame if you didn’t get to see it before it’s gone forever.
It’s great to be in a position to facilitate the opportunity for an artist I respect to exhibit work they wouldn’t normally make. I’ve know for many years now that Philipp Scholz Rittermann is an exceptional photographer with an impeccable eye for detail. As would be expected, being a photographer, Philipp is used to making flat work. However, I had a feeling that he was itching to take his work off the wall and into a more three dimensional realm. I had no idea what to expect when I asked him to take a shot at making a site specific piece for ICE Gallery, but I trusted that he could come up with something interesting.
Please join us Friday January 9th from 6-9pm and participate in an immersive site conditional photographic installation.