One of the things that makes running ICE Gallery fun is offering a space to an artist and telling them they can do anything they want with it. The only restrictions being the confines of the space and their own budget. The result, if you’ve chosen your artists wisely, is that you get such a diverse array of exhibitions. A line up that doesn’t remotely fit into any sort of tangible uniform aesthetic. The contrast between this show, the previous one, and the next one is so stark that in a normal gallery situation it would seem that the curators interests are all over the map. Well, good. I love that. Click HERE for more photos from Nathan Gulick’s exhibition “Finest City”.
Please join us on Saturday, February 20th from 4-6pm for the closing reception of Nathan Gulick’s solo exhibition, “Finest City”.
“Finest City” presents a series of arrangements (possibly a sculpture garden, or ruin field) of readymade architectural decorations in amplified colors, set amongst a faux grass lawn (a necessity in a time of catastrophic drought) and a sheer wall of tan stucco.
Reveling in a distinctly artificial American style, still rooted somewhere in old Europe, the work seeks to highlight the temporary and temporally unsure aesthetic landscape of a region still contending with a legacy of mass migration and suburban sprawl.
“Finest City” presents a series of arrangements (possibly a sculpture garden, or ruin field) of readymade architectural decorations in amplified colors, set amongst a faux grass lawn (a necessity in a time of catastrophic drought) and a sheer wall of tan stucco. Reveling in a distinctly artificial American style, still rooted somewhere in old Europe, the work seeks to highlight the temporary and temporally unsure aesthetic landscape of a region still contending with a legacy of mass migration and suburban sprawl.
Artist Reception: Saturday, January 30, 4-6pm
Closing Reception: Saturday, Feburary 20, 4-6pm
Or by appointment
As much as I enjoy having exhibitions of other peoples work at ICE Gallery, ultimately the main reason I keep the space is to have my own. After 13 months since reopening, that’s finally going to happen. This will be my first site conditioned installation since 2013. I hope to see you.
6pm – 9pm
1955 Julian 92113
It’s not often that San Diego artists get written about for publications or blogs that reach outside of the county. Other than CityBeat, who seems to be the most consistent, local coverage for art in San Diego is rather pitiful. That’s why I was pleased that Robert Pincus decided to make Tom Driscoll the subject of his maiden piece for Artbound. It’s fantastic that Artbound/KCET is making an effort to cover all of southern California, not just LA. We’re small, but there are some interesting things happening down here in SD.
Speaking of interesting art…
Closing reception is this Saturday, May 2nd, from 6-9pm. See you there.
There are 2 shows this weekend involving 3 people related to the ICE Gallery family.
The first is the 2014 San Diego Art Prize Recipients at the Athenaeum Music & Arts Library including Joseph Huppert and Philipp Scholz Rittermann.
The second is at the Harmony Murphy Gallery in downtown Los Angeles including Joseph Huppert and Thomas DeMello
Ever since I saw the way Tom had his concrete cones displayed in his garage I’ve been itching to see them in a proper exhibition. Cut to 3 years later and the time has come to show just about every last one that he has. Some date back 20 years, however most have never been shown. The 16 foot tall walls in the gallery will be well utilized.
Please join Tom and I on Saturday, March 21st, 6-9pm.
This Friday, February 27th, from 6-9pm is your last chance to see the site conditional photo installation by Philipp Scholz Rittermann. Seeing this piece in person is truly a unique experience. It would be a shame if you didn’t get to see it before it’s gone forever.
It’s great to be in a position to facilitate the opportunity for an artist I respect to exhibit work they wouldn’t normally make. I’ve know for many years now that Philipp Scholz Rittermann is an exceptional photographer with an impeccable eye for detail. As would be expected, being a photographer, Philipp is used to making flat work. However, I had a feeling that he was itching to take his work off the wall and into a more three dimensional realm. I had no idea what to expect when I asked him to take a shot at making a site specific piece for ICE Gallery, but I trusted that he could come up with something interesting.
Please join us Friday January 9th from 6-9pm and participate in an immersive site conditional photographic installation.