This Friday, February 27th, from 6-9pm is your last chance to see the site conditional photo installation by Philipp Scholz Rittermann. Seeing this piece in person is truly a unique experience. It would be a shame if you didn’t get to see it before it’s gone forever.
It’s great to be in a position to facilitate the opportunity for an artist I respect to exhibit work they wouldn’t normally make. I’ve know for many years now that Philipp Scholz Rittermann is an exceptional photographer with an impeccable eye for detail. As would be expected, being a photographer, Philipp is used to making flat work. However, I had a feeling that he was itching to take his work off the wall and into a more three dimensional realm. I had no idea what to expect when I asked him to take a shot at making a site specific piece for ICE Gallery, but I trusted that he could come up with something interesting.
Please join us Friday January 9th from 6-9pm and participate in an immersive site conditional photographic installation.
An art exhibition featuring objects, both natural and manufactured, unaltered by the artist. Three pieces per artist displayed as-is with the aim of communicating to the audience the intrinsic beauty that can be found in seemingly mundane or usually overlooked objects.
Michael James Armstrong
Richard Allen Morris
Edith Baumann has been making paintings in Los Angeles for over 30 years. However, this time around she’s created an elegant site specific installation that perfectly capitalizes on the unique character of the space.
We’d love to see you on Friday, 10/3, from 6pm-9pm.
Ya know, just when it seems as though no one’s paying attention to you, along comes an opportunity out of the blue. Two months ago none of us knew anything about Jim Brown and his architecture firm, Public, or his newly acquired huge project, Bread & Salt. The latter being a 40,000 square foot building built in the early 20th century which was, until recently, a Weber bakery. Jim had apparently been silently paying attention to ICE Gallery and, just when we were about to be evicted from our space in North Park, offered us a spot at Bread & Salt! Wow, we’re so appreciative for the offer and the opportunity. Our new space will be much smaller, but it has a lot of potential and we’re extremely excited to get to work on it.
Not only were we offered a new space in a small corner of Bread & Salt, we were also given the opportunity to tackle the entire 40,000 sq ft building. The building is more or less still in it’s raw Weber bakery state, minus most of the heavy machinery. There’s a ton of work to do before the building is ready to be inhabited by it’s future art and design tenants. Perfect! That’s just the kind of space we hope for. It’s the kind of thing we’ve been talking about for the last few years (“Wouldn’t it be great to be offered an interesting space where you’re able to create anything you want?”) and now we’ve been given a shot.
The four of us have staked out our individual spaces throughout the building and are in the process of installing what is shaping up to be a very solid and diverse exhibition. We hope you’ll come join us and see it for yourself on Friday, February 8th, from 6-9. This one is a big deal for us and we’re anxious to show you the work plus the unique building that we’ll soon be a part of.
We couldn’t have been more pleased with our last show at ICE Gallery. It was such a pleasure to work with our good friend Tom Driscoll, and he didn’t disappoint with his final results. We gave Tom free reign to show any work he wanted and to do anything he saw fit with the space. Initially he asked us what kind of show/work we wanted to see from him. Our response was to tell him “it doesn’t matter what we want. You just do the exact show that you want to see, and we’ll help you realize it”.
The photo above is what the gallery looked like about 2 weeks before the opening. The space had been a disaster for so many months, it felt good to get it all cleaned up and ready for install one last time.
Tom’s idea for an “all foam show”, along with his decisions on how to show the work was just the kind of unique approach we love about Tom and his work. Just about every piece was made specifically for the show and a couple pieces were made specifically with the space in mind.
We had the best turn out to date at the opening and everyone seemed to really enjoy the work. In fact our good friend Philipp Scholz Rittermann was so excited by the show that he offered to shoot it for Tom. The shots came out great! Check them out full screen in the slideshow below.